Remedios Varo (1908–1963) was a pioneering Spanish-Mexican surrealist painter whose works are celebrated for their fantastical, dream-like imagery and exploration of mysticism, science, and the unconscious.

Born in Anglès, Spain, Varo began studying at the Real Academia de Bellas Artes de San Fernando in Madrid before the outbreak of the Spanish Civil War forced her to leave the country. After spending time in Paris, she ultimately moved to Mexico in 1941, where she became part of the vibrant surrealist community, alongside artists like Leonora Carrington and Wolfgang Paalen.

Her works are known for their intricate, highly detailed compositions that often blend elements of science fiction, alchemy, and the occult. Varo's artistic style reflects her fascination with the human psyche and metaphysical themes. Many of her paintings depict women engaged in mystical or scientific endeavors, suggesting a deep connection between nature, the mind, and the cosmos. Works like "La Llamada" (The Call) and "El Hierro" (The Iron) show women in control of fantastical machines or performing rituals that blend reality and fantasy, challenging traditional notions of gender and the role of women in society.

In addition to her surrealist influences, Varo was influenced by her interest in the occult and spirituality. Her personal life and experiences, especially her exile and the difficult political climate in Spain, helped shape the symbolism and mysterious qualities of her art. Though she was relatively unknown during her lifetime, Varo’s reputation grew significantly after her death, and she is now regarded as one of the foremost female figures in the surrealist movement. Her works continue to inspire audiences, blending scientific inquiry, mystical exploration, and surrealist imagination.