Jiří Škoch (1938–2022) was a renowned Czech photographer and visual artist whose work left a lasting imprint on the Czech artistic scene.

He was not only a skilled photographer but also a sociologist and educator, deeply involved in the teaching of visual arts. His career began in the early 1960s when he first exhibited his work in Písek, but his journey as an artist was far from conventional. In the 1970s, Škoch became known for his photographic montages, which blended the realms of poetry and visual expression, creating complex narratives. His series "Petrkov Bohuslava Reynka," created between 1967 and 1975, was particularly notable, as it was inspired by his deep friendship with the poet Bohuslav Reynek, known for his works filled with nature and spiritual themes. These montages captured both the beauty of the Czech countryside and the emotional weight of Reynek’s poetry, offering a unique visual representation of the literary world.

Škoch’s photographic style is often described as a mix of realism and surrealism, with a strong focus on the interplay between human beings, nature, and their environments. His works were not just photographs; they were artistic explorations where reality was manipulated to evoke a deeper emotional response. The montages, often tinged with a sense of melancholy, invited viewers to contemplate the complexities of life, politics, and human emotion. He was a master of blending multiple exposures, creating layered images that told stories beyond the surface. His works explored themes of memory, identity, and the passage of time, utilizing both light and shadow to create evocative contrasts.

What truly sets Škoch apart is his resilience and dedication to his craft, especially considering the political climate during his time. In 1970, he was imprisoned for "insulting socialism," a reflection of the challenges faced by many artists in Czechoslovakia during the communist era. Despite these obstacles, Škoch’s work continued to evolve, and his art became a form of resistance and expression. Over time, his contributions to the Czech avant-garde scene cemented his place as one of the country’s most significant photographers.

I first encountered Škoch’s work during my travels to Prague, where I was immediately captivated by the depth and emotion captured in his photographic montages. His ability to blend the natural world with profound social and existential themes left a lasting impression on me. Since then, I have admired his innovative approach to photography and his ability to transcend political boundaries, creating art that speaks to the human condition. His work continues to resonate with me, inspiring both admiration and reflection.